This painting is of a Gorilla hand holding on to a rope. When I first saw this reference I was drawn in by the struggle of this animal holding on to hope. This desire to cling to hope when it is pretty unlikely, is a enduring concept we can all associate with. Gorillas are ground-dwelling animals, they are predominantly herbivore Great Apes that inhabit the tropical forests of equatorial Africa. The genus Gorilla is divided into two species, the eastern gorillas and the western gorillas, each with an upland and lowland subspecies. Gorillas live in family groups of usually 5-10 Gorillas but no more than 50, the family group is led by an dominant Adult male called a Silverback who holds his position for years. Artist quality Pastel Pencils and Soft Pastels on Clairefontaine Pastelmat. Size is 24 x 30 or approx 9.5 x 11.5". Reference photo by Alexas_Fotos. Framed and ready to hang. Framed art pieces pictured above are for demonstration purposes only, actual frame styles and colours may vary.
Holding on to Hope
Your new pastel painting is a hand-painted work of fine art. I use the best archival materials for its creation. If properly taken care of, your portrait will last for many lifetimes. Pastel is one of the most permanent art mediums in existence. Many pastels painted over 200 years ago are still as bright and fresh as the day they were created.
The artist’s pigments in my pastels are the same as those used in fine oil paints. The only difference is that with pastel the pigments are not mixed with a liquid binder which may degrade over time. The pure, bright hues will not change or yellow.
The surface I use for my pastel paintings is Clairefontaine Pastelmat, it is a premium archival surface made of thick card and a specially designed cellulose fibre top that provides a velvety finish that grabs the pastel to the surface.
Your pastel painting may shed a few particles of pigment when new. This is normal and will not damage the image. The surface will become more solid with time and shedding will stop. Please do not attempt to rub or brush away fallen particles, as you may mar the surface of your painting. Lightly shake them off and store your unframed painting flat in its provided case until you take it to your framer.
Framing: You will receive your painting in a custom-made protective case or already framed for your convenience. This case is fine for short-term storage, but to protect and preserve your portrait while it is on display, you should have it professionally framed behind glass. Please choose your framer carefully. Discount framers may charge less, but they often save money and cut corners by using non-archival, non-acid-free framing materials. These materials may harm your portrait. It’s worth choosing the best quality framing materials so that your family can enjoy your portrait for many years to come.
What to tell your framer
You want acid-free, archival framing materials. The backing board and mats, if any, should be museum quality. 100% cotton rag board and/or acid-free foamcore is best. Cheap mat board or brown cardboard backings will stain and yellow your portrait within a few years.
Do not spray any sort of fixative or coating on your portrait in the framing process or allow your framer to do so. Careful handling is a must. Do not touch the painted surface. Putting fingers or other items on top of the portrait or allowing it to be rubbed or flexed will damage the surface. Keep it flat, supported from underneath and facing upwards to protect the pastel surface.
Choose a framer who is experienced in working with fine art pastels. A framer who works mostly with posters and printed reproductions or oil paintings may not realize that pastels take special handling. Do not risk the welfare of your painting in the hands of an inexperienced framer.
Do not use Plexiglas™ or non-glare glass to frame your portrait. Plexiglas™ holds a static charge that may pull pastel particles from the paper and in time create a “g